Ready! Set!...

Every single item needed for the Little Darlings mini is within reach.  The last of the coordinated supplies came in today.  This is it... beginning Thursday morning it gets done, one page at a time.

The Tim Holtz Tattered Rose distress ink was not what I expected.  It's as flesh coloured as it gets.  I'd expected a stronger hint of rose or coral; be that as it may, it still functions as planned.  Although, if the either the Worn Lipstick or Moss Green happened to fall into my shopping buggy, I wouldn't take issue.

(Should anyone with two days of artistic training ever happen upon this site, they must forgive the misapplied terms because every application will be wrong.)

Ivory and brown are the two base colours that will be used throughout.  I'm not crazy about using the Vintage Photo ink colour for distressing as most scrappers seem, because while it presents a lovely brown, it always comes out looking overly dark for my tastes, and despite all attempts I can't get it to tone down.  In most cases I prefer working with the Tea Dye, but this has redder tones and might clash with this paper.  A compromise may exist between the two, but I haven't found it yet and probably won't in the distressed lines.

I'm positively itching to get started on this mini, but there are several firm commitments between picking up the scissors/glue/inks and the starting bell tomorrow.  Just to be sure, I went through all the page templates drawn up last month and still love every detail.  

Even at this late hour I haven't fully committed to the final overall size.  The decision to modify the book to the 8x8 size was based upon an abundance of that sized quality book board on hand.  There are nine 5x7 photos included in the album and I fear that the 8x8 size may turn out to be a smidgen too small.  The photos are the originals from almost 100 years ago, or about half that, so cutting them down isn't an option I'm comfortable with.  And, making re-sized copies of the photos defeats the purpose of creating a safe place to permanently store them, which is exactly why the mini is being created!  It's a historical preservation effort.  A curiosity happened today as I reviewed the photos going in the Little Darlings album.  On the back of one photo my mother had written, "My little darling."  So very fitting.  

The idea of documenting the album's construction still appeals.  Each day I plan to post pictures of the work accomplished.  Maybe, just maybe, it will all come together nicely enough to want to show it off when victims visit the house ;)

Look for pictures beginning Thursday night!

__________________

Through sheer determined effort, I discovered my worst fear: the Graphic 45 Tropical Travelogue is slowly fading out of publication.  There's still time to gather everything I'd like to have, so there's no panic involved, but it's getting harder to hit one store and find an entire collection intact... a little here, a little there.  Unfortunately, this interrupts my budgeting plans as it's probably best to accumulate it quickly before it becomes a complete hit or miss endeavor.  As is the case in the Once Upon a Springtime collection.  What a nightmare!

Boing, Boing, Busy

That whole stamping category process continues.  The first day I knocked out about 100 stamps, since then only a few packs at a time.  Slowly, but surely.  This will curb my appetite for large random stamp purchases.  (Boy, oh boy, what a meager set with such limited range, or so I know now going through the process!)

Today's focus was working with the Miss on a Father's Day card.  Her ability grows.

I've virtually copied and completed two different types of mini albums, step-by-step. It's a long-standing threat, but it's time to break away from the masters at YouTube and develop my own style.  And, in my fashion, design not one, but three, all at the same time.  

Graphic 45's Playtimes Past is a charming collection.  I don't mind cutting the paper any longer, but I only had a 12x12 inch pad.  Not so much room for error.  I found another 12x12 during one of the more recent excursions for only $7.00.  Mine! Now there's back up, not so much nail biting.  There's no getting around the fact that G45 fashions its lines with women in mind.  They do publish more masculine lines - and do a marvelous job - but even then many of the details scream feminine.  The Playtimes Past is a very fair mixture for both sexes.  I want the more masculine pages used for a carefully selected collection of my boys childhood pictures.  That leaves about 1/2 of the paper unused.  However!!  When I begin making pages for them, I can begin designing the feminine pages for my sister's girls; using the same page styles, but frilly it up a bit, more ribbon and sparkles, etc.  So two MA's for the work of one.  Not a bad idea.


The third will be a no-frills summer camp mini.  I've selected a Tim Holtz Retro Grunge paper pad for the project.  A little dark, perhaps, for a girl's summer album, but I'm sure this will fit her to a Tee.  I think to pattern this after the wallet-style just completed for this coming Christmas photos, with major modifications since we're only looking at less than 25 shots.

First though, I must pull together a couple (four or five) regular 12x12 layouts.  There's a very gratifying feeling when completing projects.  LO's only take a day or so and therefore seems as if I'm accomplishing much more than when compiling a single mini.  Perspective. 


In less than 10 minutes I pulled together the first LO.  Add paper and embellishments, and it's a done deal.

Our only snow 2012

Take a Breath

There's been such a flurry of activity lately is seems almost impossible to sit down and get anything done.  Not true, I've finished four 12x12 layouts, got the new organizer in place and well stocked, and have accomplished quite a series of hauls.  

Most everything revolves around an incredible discovery at TM.  They had retail packs (24 each) of almost then entire "A Proper Gentleman" collection.  Martin actually stumbled across this treasure, bought two packs, and made the mistake of telling me they had stacks of other G45 retail packs in different designs.  At the end of the quest I have twelve full 12x12 pads of this collection, minus two pages... for less than what a single pad would have cost.  Profit time!!!  We were also able to pick up almost half the "On the Boardwalk" collection in retail packs.  I think we've exhausted the bonanza.  There were arm fulls of book board, but I stopped at six sets.   They had Tim Holtz Grunge Paper sets, retailed at $40; I paid $8.  Finally, a 5 inch Xyron.  A couple of adorable embellishments and the run ended there.

I decided to hit JoAnn's because we were in town it's rare we make it that far south. Phew!  Almost all paper crafting supplies are 50% off this week, plus a coupon in the paper allows an extra 10% off from the total purchase.  60% savings?!  Heck, yeah!!  I managed some control and walked out of the store with only two large bags.  A wider variety of adhesives, the first alcohol inks, specialty paper, and yes a Crop-A-Dile II (Big Bite).

The stamps, ink, paper, embellishments, etc never quit coming in; however, it's hard to imagine any other tool needed to carry on this business.  Maybe a Zutter Cutter for the extra weight chipboard?  Maybe, but not a necessity. 

I'm attempting to design my first, original mini-album.  It's sketched out, roughly, but I'm finding it hard to cut that first page; there seems to be so little room for error, which, in itself, is an error.  How, besides looking amateurish, can a person go wrong with G45?  For sure it won't be the best album I'll ever create, and will quickly prove true, but it's all part of this glorious process called creative expression.

Page Theme Issues

I'm still studying differences between good, great, and wow-za pages.  And learned a couple of things today.

When putting together a page I pull out all the possible paper combinations, dies, stickers, stamps, etc I expect to use, or possibly use.  Without exception, one element will capture my fancy and, wrong as it is, I'll walk on hot coals to incorporate it.

I'll use the project currently under construction to demonstrate this point.

The page features a trip to the ocean.  The colour scheme runs to pastels.  I also wanted to blend shabby chic with just a bit of whimsey.  (Probably my first mistake)  The element I fell head over heels in love with was a couple of starfish cut from a die, and stamped with a truly adorable face.

Blurry, but a fair representation for this purpose

Cute as buttons.  So far, no problem with page assembly.  The starfish works well with the photo matting demonstrated in the photo.  There are two photos featured that go on the page, one each for the right and left side.  I set waves consisting of four layers of papers to create a bottom border for the page. (I cut and chalked a few fishes to appear to be jumping in and out of the waves.  Darling!)  The title will go in the upper right hand corner, and I plan to use three separate journaling boxes between the space of the two photos.  So far, all works together very nicely...

But this is where this "hooked on an element" becomes a problem.  I need "something" that binds the two pictures, and creates another layer of depth for the journaling boxes; perhaps a large strip of paper, 12x4 inches.  When I laid the thick mid-line border across the page, I got "blah."  I then began playing with one of the Tim Holtz masks picked up the other day.  Love at first sight.  That was the answer!!  Except it wasn't.  The chalked image creates a very formal setting.  Not at all within the theme, nothing whimsical about it; however, I really, really want to use it.

A much smaller image than the mask I would use, but it's easy to see the formality.

So that's a huge chunk of my problem... choosing two non-complimentary elements to a page.  I usually justify using both and calling it "mixed," but it's not.  It just proves my lack of experience.  Maybe someone with much more experience could pull it off, but I can't with goodly results.

Since I'm more than three-quarters finished with the page, it will have to be the flourish to go.  This will be a first.  It's a start in the right direction, however.

For now on I plan the page theme and keep cute away from formal.  It can't hurt!

Gaining

I went to Fayetteville yesterday for a doctor appointment.  While there I planned to hit JoAnne's and the TM rumoured to have a much better inventory selection for scrapbooking supplies.  Imagine my surprise when TM was located in the same mall strip as HL!  Well, that works out just fine. No doubt about it; the Fayetteville store was all promised... and more!

At present, I'm collecting as many Basic Grey paper packs as possible.  (Only at greatly reduced prices, of course.)  They had two large packs.  Wow-za! The current passion for BG is that the company puts out an unique array of colours and patterns hard to find elsewhere.  And the paper quality is great.

I love Tim Holtz products, but most large box stores charge exorbitant prices and the rare times put up for sale, it's less than a significant margin. Until yesterday my Tim Holtz inventory consisted of four distress ink pads, and about five Sizzix Bigz dies.  I found two paper packs, a small and gigantic mask set, and a package of round cut out grunge board that I have NO idea how to put to use, but will eventually.  There might have been other items, but it's all put away and nothing else comes to mind.  (Oh! a butterfly border die!)

The grand find involved 7 Gypsies (yet another line tending on the expensive side).  They had a super-sized stamp set, 64 individual stamps, with every warning one could ever think of stamping on a page or envelope when mailing.

Note:  I need to rethink haul strategies.

Finally, though it's not related to scrapbooking, we stopped at a little antique/junk store I've wanted to visit every time we drive past it - 4 times every weekday.  They had quite the assortment.  Of all wonders, I found three history books published in the late 1800's, and a world atlas from 1937; pre-WWII era.  They weren't in perfect condition, but still!  While on the subject of books, the doctor gave me an outdated medical book for the asking.  There's real scrapping potential with this one.

Now to the meat of this post.

One would expect a difference in quality between a new scrapper and one with six years under her belt.  I can spot the difference in less than a second when browsing LOs at scrapbook.com.  I suppose an innately artistic brain probably differentiates, also.  I'm putting a great deal of effort trying to decipher the differences between amateur and professional work.  So far, I've only been able to learn more advanced techniques, but haven't gotten the hang of combining these to make a WOW piece.  They happen occasionally, but it's mostly by accident.

While browsing through more professional LOs today, I stumbled across Dusty Attic, a blog with blow-away tutorials.  Maybe this will be the place, and ones similar to this, I can learn the tricks of the craft.

What would be absolutely wonderful would be to recruit a few semiprofessionals to not encourage the scrapper, but to critique works submitted.  The submitters would put out their best examples and find where room for improvement exists.  It would not necessarily be put-downs, but a place to learn, "this is good, but some shadowing would make a difference."  The concept is good.  Implementing it, another.